#20-2012-JT-2 by David Mackenzie
David Mackenzie (American 1942-2020)
#20-2012-JT-2
Acrylic on canvas on fiberboard
2012
18 W / .5 D / 18 H
Mackenzie considered his work to be part of the non-objective tradition of painting and touched on notions of deconstructive architecture, modernist history, geometry and perspective.
The Los Angeles born Mackenzie, lived and worked in artist communities in San Francisco, New York City and Joshua Tree during his lifetime. In addition to his inclusion in the 1975 Whitney Biennial, Mackenzie’s awards include a National Endowment for the Arts Fellowship in 1975, and a Pollock-Krasner grant in 2004 and his works are in the collections of both The Metropolitan Museum of Art and the Museum of Modern Art among others.
David Mackenzie (American 1942-2020)
#20-2012-JT-2
Acrylic on canvas on fiberboard
2012
18 W / .5 D / 18 H
Mackenzie considered his work to be part of the non-objective tradition of painting and touched on notions of deconstructive architecture, modernist history, geometry and perspective.
The Los Angeles born Mackenzie, lived and worked in artist communities in San Francisco, New York City and Joshua Tree during his lifetime. In addition to his inclusion in the 1975 Whitney Biennial, Mackenzie’s awards include a National Endowment for the Arts Fellowship in 1975, and a Pollock-Krasner grant in 2004 and his works are in the collections of both The Metropolitan Museum of Art and the Museum of Modern Art among others.
David Mackenzie (American 1942-2020)
#20-2012-JT-2
Acrylic on canvas on fiberboard
2012
18 W / .5 D / 18 H
Mackenzie considered his work to be part of the non-objective tradition of painting and touched on notions of deconstructive architecture, modernist history, geometry and perspective.
The Los Angeles born Mackenzie, lived and worked in artist communities in San Francisco, New York City and Joshua Tree during his lifetime. In addition to his inclusion in the 1975 Whitney Biennial, Mackenzie’s awards include a National Endowment for the Arts Fellowship in 1975, and a Pollock-Krasner grant in 2004 and his works are in the collections of both The Metropolitan Museum of Art and the Museum of Modern Art among others.